Okay tonight repeats a night in history on the 365 Bar Crawl! On May 8th, I went to the 118th bar of the 365 journey. The bar was the Lakeside Lounge in the East Village and my friend Chris Erikson was playing there with his band, Chris Erikson & The Wayward Puritans. Chris was one of the first editors I worked with when I moved here way back in 1993. He was working at the Manhattan Spirit weekly paper and I was writing choice assignments for between $35 and $50 bucks a pop! Who says there’s no money in freelance writing? Anyway you can read the whole story over at that post here: Saturday, May 8, 2010.
Time has moved on and Chris is now employed at the New York Post and I’m working my night shit shift job. But I’ve taken tonight off, because back by popular demand, Chris Erikson and The Wayward Puritans are playing live tonight at Lakeside Lounge! This is going to be like stepping back in time. Sherman set the Wayback Machine and awaaay we go!
As I posted yesterday, The Waverly Diner has reopened! I stopped in for a snack last night, but I had to have my favorite for dinner before the show...
The Waverly Melt on toasted rye bread and extra well done fries.
Delicious! Okay, on to the show!
Here we are, The Lakeside Lounge.
Tonight: Chris Erikson and The Wayward Puritans!
This is a great dark, New York bar.
Leslie the friendly and pretty bartender serves up a bottle of Budweiser.
A shot of the bar from the opposite end.
Here's the band stage in the back room.
And here's Chris and the band setting up their gear.
The dueling guitars of Chris Erikson.
The set lists and key changes are out.
Ladies and gentlemen, please give it up for: Chris Erikson and The Wayward Puritans! From left: Chris Erikson—guitar, lead vocals, Jason Mercer—bass, backing vocals, Diego Voglino—drums and Jay Sherman Godfrey—guitar, backing vocals.
The songs are all Chris Erikson originals, great songs.
They have a CD coming out soon, stay tuned for details about that as it happens.
The only song that's not an original is a song by Chuck Berry's original piano player, Johnnie Johnson called, "Johnnie B. Bad." This is cool because both Chris and I have interviewed Johnnie Johnson.
I'm not the only one taking pictures in the crowd.
Here they are playing the encore song of the night.
Shows over, time for a drink! A great show and I'm looking forward to the CD! Goodnight everybody and see you tomorrow after dark.
First off, let me explain about the comments section. I had some troll posting comments the day I went to Chinatown and did the whole post in Chinese. He commented that I and a lot of commenters were racists. Okay, here’s the story: The Chinese blog happened because I went to Chinatown to take random pictures and I thought the pictures weren’t that great and that the post would be a bit of a dud. Then I thought about doing the whole thing in Chinese using a Google tranlsator. Everybody thought it was fun till the troll showed up. He claimed I was racist and signed off as “Marty = KKK.” (I know that the KKK are a hate group of idiotic white guys, but I didn’t know they were famous for targeting Asians. Also anyone who knows me knows I am about as far from a racist as one can be.) Then he left a couple more. Each one more stupid than the last. Last night he sent in a comment and it read: “Call me: 212-243-6197” and once again signed off as “Marty = KKK.” The number he posted was my landline phone number. I guess he thought I’d get crank calls. The only problem that this loser didn’t realize is that I shut my landline down over a half a year ago. But it shows he took the trouble and time to find my phone number. I think he’s got way too much time on his hands and he appears to be obsessed with me. So now I have the comments moderator turned on in my blog. But I will be checking it though the day and night and your comment will appear in the order it shows up. I hope you all continue to comment, the comments section here sometimes takes on a life of its own and it adds another dimension to the blog. And once again I thank those of you who comment and all of you who read this blog, I really do appreciate it. Okay, enough of that!
It’s been raining off and on all night and I don’t really feel like going anywhere but home, so that’s the destination tonight. I’m in the mood to write something, so I thought I’d write about the day I met Johnnie Johnson,Chuck Berry’s original piano player. I’ve written about it before, but I like to write stories over and over and most of the people reading this blog have probably never read it. I’ll take some pictures on the way home and write up the tale of my afternoon with Johnnie Johnson at a Blues Festival in Peoria, Illinois.
It was pouring down rain on my way home, so I couldn't take any pictures. Instead, I'm posting two photos that Crazy Eddie took on our night out at Percy's. Thanks Crazy Eddie, they're insaaaaane!
Here's a picture of a can opener that Crazy Eddie has from the '60's. It's an official Madison Square Garden can opener his brother got when he was selling beer there. You could inflict some damage with that thing!
----------------------- Johnnie Johnson In the late 1980s, the documentary/concert film, “Hail! Hail! Rock ‘n’ Roll” came out, first as feature film and later as a VHS tape. It was a film celebrating Chuck Berry’s 60th birthday and his contribution to rock ‘n’ roll. It was directed by Taylor Hackford and included an all star band featuring, Chuck Leavell, Joey Spaminato, Bobby Keys, Steve Jordan, Robert Cray and Keith Richards as the musical director.
There were guest appearances from artists ranging from Eric Clapton. to Etta James, to Julian Lennon. to Linda Rondstadt and many more. It also reunited Chuck Berry with Johnnie Johnson, his original piano player who played on most of the early hits. This is the man that many people feel is responsible not only for the signature “badadadadadada” riff that starts out so many of Chuck Berry’s songs, but also for the music for most of those early songs as well.
In the film, many musicians discuss how all of Chuck’s songs aren’t written in chords that most people play on the guitar, they’re written in piano chords. “Johnnie’s chords” as Keith Richards says within the film.
Johnnie Johnson is even asked in the film about Chuck’s music and he says, “We just supplied him with music that fit his lyrics.”
I remember watching that scene in the film and thinking about all the money he threw down the drain. I mean can you imagine the royalties from a song like “Rock and Roll Music?” There’s royalties from Chuck Berry’s version, but throw in royalties from The Beatles and The Beach Boys covers and that’s a pretty nice little payday. Now multiply that by dozens of Chuck Berry’s songs who have been covered by countless bands and you’re talking a small fortune. And Johnnie Johnson just kind of threw it away without knowing any better.
When they made that film, Johnnie was driving a bus to supplement his income. Chuck Berry was using part of his fortune to install hidden cameras in the women’s bathrooms of a restaurant he owned to secretly film them as they did their business. The world spins in strange ways sometimes.
In 1990 I was publishing and editing my magazine POP, a quirky local People magazine in my hometown of Peoria, IL. I had been doing it for a year and found out it was easy to get backstage at concerts and events by saying I was the editor. Even if I didn’t get a picture or a story, nine times out of ten there’d be free beer and food and if I was really lucky, Eddie Van Halen would be nowhere near the backstage area.
Every year in the summer, Peoria hosts a Blues Festival on the river front and this year was no exception. I saw an ad in the paper and surveyed those who were on the bill and one named jumped out at me: Johnnie Johnson. I decided I’d go and see if I could interview him. It was held on a sunny, warm Saturday and using my POP editor’s status I was allowed into the “backstage area.” It wasn’t really a backstage, because it was outside, more of a roped off makeshift picnic area in a back parking lot, complete with wooden picnic tables and benches. They had grills going and kegs of beer for the musicians and the lucky ones who got to enter the roped in V.I.P. area. I went and got a beer and looked around and there seated at a faded yellow wooden picnic table eating fried chicken off a red paper plate was Johnnie Johnson.
He had a round, brown moon face with sleepy, half opened eyes. He was wearing a short sleeve black sports shirt that looked like it would rip apart at the seams any minute from the sheer force of his mammoth gut. His pants were also black and his head was adorned a black and white yachting cap with a gold seal on the brim.
I sauntered over and said, “Excuse me, you’re Johnnie Johnson, right?”
He didn’t look up from the chicken breast he was eating and just grunted. And not really in my direction. In fact to this day, I don’t know if he was trying to communicate with me or if he was just burping.
“My name’s Marty Wombacher and I’m the editor of a local magazine called POP magazine,” I continued in energetic tones. This didn’t impress him and it was obvious he was more intrigued by the chicken than by yours truly. I tried again.
“Listen, I’m a big fan and would love to interview you. I won’t take up a lot of your time,” I explained.
He just kept eating his chicken and didn’t really acknowledge my presence. It was really starting to feel uncomfortable.
“You’re just about done with that chicken, can I get you some more?” I asked grabbing at straws to get his attention.
And it worked, he slowly looked up from what was left of his chicken breast and said, “You goin’ for food?”
“Yeah,” I shot back, “can I get you anything?”
“I’ll take some more chicken,” he lethargically said and then threw the bones from the chicken breast on the red paper plate in front of him.
I grabbed the plate and said, “I’ll get you a fresh plate.”
“Thanks, can you get me a beer too?” He added.
“Why not, it’s free,” I threw out.
“It’s one hell of a spread,” he replied in a slow, lazy drawl.
“Yeah, right,” I said as I made my way to the food tables.
As I walked towards the food tables I looked at the musicians and backstage people lounging around on picnic tables and on the grass, eating food that was bussed in from Brown’s Chicken restaurant and being kept warm on grills.
I thought to myself, “This really isn’t one hell of a spread,” and wondered what Chuck Berry was doing that day. He sure as shit wasn’t eating warmed over fried chicken at a well-worn picnic table in downtown Peoria.
I got the beer and the food—fried chicken, corn, mashed potatoes and a biscuit—and returned to the table. Johnnie was sitting at the yellow wooden table just staring out into space.
“Here you go,” I shouted out as I put the plate in front of the piano man.
Johnnie looked down at the plate and said, “You got me two pieces.”
“You looked hungry so I got you an extra piece,” I told him as I slid a beer in his direction.
“This is one hell of a spread,” he once again proclaimed as he started in on a chicken breast.
“Listen, as I said, I’m an editor of a local magazine and I would love to interview you and take your picture,” I told him.
He barely looked up from his chicken and mumbled, “Nah, I don’t do that shit.”
At least he didn’t mince words.
“Alright,” I said in surrendering tones, “okay if I sit here?”
I took the grunt he let out as a yes and I sat down and took a swig of beer from the standard red, 16 ounce, plastic keg cup I had gotten for myself.
“I watched, ‘Hail! Hail! Rock ‘n’ Roll’ a while ago,” I told Johnnie who was back to chewing on the chicken breast. I noticed some of his teeth were missing. “What was that like, being part of that film?” I asked.
He put the chicken breast on the plate, looked up at me with his half-opened eyes and slowly and deliberately said, “Oh man, did they have one hell of a spread there! Chicken, fish, roast beef, mashed potatoes, gravy, chocolate cake...every single day! I’ve never seen spreads like the one’s that catering service put out for us.”
“Yeah, it sounds great,” I replied, slightly amused with his obsession with ‘spreads,’ “but what was it like working with Chuck Berry again? And Keith Richards? He seemed like a big fan of yours in the film,” I added.
Johnnie picked up the chicken breast again, shook his head back and forth and said, “Shit, those two. One minute you’d think they were going to kill each other and the next you’d think they were going to start fucking like two horny kids. Crazy-ass, motherfuckers.”
And then he went back to work on his chicken breast.
“You know, it came out in the movie that it was you that wrote the music for a lot of his songs and that it was you that came up with that signature Chuck Berry riff. Keith Richards said you drift naturally into that riff on the piano. I remember he said, ‘Without Johnnie, all you got is a bunch of words on paper, no song.’ Is that true?” I asked him. He slowly looked at me and said, “I don’t think about that stuff.”
“Yeah, but you should get royalties, that’s a shitload of money,” I spat out.
He put the chicken breast on the plate and said, “Oh man, I don’t like to think about that.” And then he slowly got up and walked away.
I watched the big piano player get smaller as he walked away from me and felt depressed. I went to a bar in downtown Peoria and started drinking beer. After a few beers I ordered a cheeseburger and onion rings. When the bartender placed them in front of me, I said, “This is one hell of a spread,” and burst out laughing. She looked at me like I was nuts. Eventually Johnnie must’ve thought about it, or maybe a lawyer did and in November of 2000 he sued Chuck Berry. The lawsuit said he deserved co-writer status and royalties for dozen’s of songs that Chuck Berry claimed to have written alone. Some soulless judge dismissed it saying that too many years had passed since the songs were written. Hell, hell, rock ‘n’ roll. In 2001, he was inducted into the Rock ‘n’ Roll Hall of Fame, with Keith Richards leading the campaign to get him in there. In April of 2005, Johnnie Johnson died in his hometown of St. Louis. I truly hope that after the funeral someone put on one hell of a spread for the man who brought so many rock ‘n’ roll songs to life with his fingers and his piano. Johnnie be good and rest in peace.
Okay tonight repeats a night in history on the 365 Bar Crawl! On May 8th, I went to the 118th bar of the 365 journey. The bar was the Lakeside Lounge in the East Village and my friend Chris Erikson was playing there with his band, Chris Erikson & The Wayward Puritans. Chris was one of the first editors I worked with when I moved here way back in 1993. He was working at the Manhattan Spirit weekly paper and I was writing choice assignments for between $35 and $50 bucks a pop! Who says there’s no money in freelance writing? Anyway you can read the whole story over at that post here: Saturday, May 8, 2010.
As I posted yesterday, The Waverly Diner has reopened! I stopped in for a snack last night, but I had to have my favorite for dinner before the show...
The Waverly Melt on toasted rye bread and extra well done fries.
Delicious! Okay, on to the show!
Here we are, The Lakeside Lounge.
Tonight: Chris Erikson and The Wayward Puritans!
This is a great dark, New York bar.
Leslie the friendly and pretty bartender serves up a bottle of Budweiser.
A shot of the bar from the opposite end.
Here's the band stage in the back room.
And here's Chris and the band setting up their gear.
The dueling guitars of Chris Erikson.
The set lists and key changes are out.
Ladies and gentlemen, please give it up for: Chris Erikson and The Wayward Puritans! From left: Chris Erikson—guitar, lead vocals, Jason Mercer—bass, backing vocals, Diego Voglino—drums and Jay Sherman Godfrey—guitar, backing vocals.
The songs are all Chris Erikson originals, great songs.
They have a CD coming out soon, stay tuned for details about that as it happens.
The only song that's not an original is a song by Chuck Berry's original piano player, Johnnie Johnson called, "Johnnie B. Bad." This is cool because both Chris and I have interviewed Johnnie Johnson.
I'm not the only one taking pictures in the crowd.
Here they are playing the encore song of the night.
Shows over, time for a drink! A great show and I'm looking forward to the CD! Goodnight everybody and see you tomorrow after dark.
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